Tammy L. Anderson: Rave Culture

<body bgcolor="#FFFFFF" text="#000000" link="#0000FF" vlink="#CC0000" alink="#CC0000"><center><hr width="350" size="1" align="center" noshade>Exposing the forces behind the decline of the rave scene in Philadelphia and elsewhere<hr width="350" size="1" align="center" noshade><p><a href="https://cdcshoppingcart.uchicago.edu/Cart/ChicagoBook.aspx?ISBN=9781592139330&&PRESS=temple" target="_top">Buy this book!</a> | <a href="https://cdcshoppingcart.uchicago.edu/Cart/Cart.aspx?PRESS=temple" target="_top">View Cart</a> | <a href="https://cdcshoppingcart.uchicago.edu/Cart/Cart.aspx?PRESS=temple" target="_top">Check Out</a></p><p><img src="1518_reg.gif" height=200 border=1 vspace=4></p></center><h1>Rave Culture</h1> <H2>The Alteration and Decline of a Philadelphia Music Scene</H2> <h3>Tammy L. Anderson</h3> <P>cloth 1-59213-933-7 $79.50, Jun 09, <FONT COLOR=#990033>Available</FONT> <br>paper 1-59213-934-5 $25.95, Jun 09, <FONT COLOR=#990033>Available</FONT> <BR> 240 pp 6x9 8 tables 2 figures 9 halftones </P><BLOCKQUOTE><I><p><i>"Anderson clearly has a passion for the subject matter and a keen focus on the 'decline' of rave culture which is to be commended. There is a need for in-depth considerations of post-rave club cultures as embedded in global, national, local and virtual spaces. The thoroughness of Anderson's empirical work, and her engagement with the data is useful and gives voice to young (and not so young!) people and culture."</i><BR>&#151<b>Karenza Moore</b>, Lancaster University</p></I></BLOCKQUOTE> <p>It used to be that raves were grassroots organized, anti-establishment, unlicensed all-night drug-fueled dance parties held in abandoned warehouses or an open field. These days, you pay $40 for a branded party at popular riverfront nightclubs where age and status, rather than DJ expertise and dancing, shape your experience.</p><p> In <i>Rave Culture</i>, sociologist Tammy Anderson explores the dance music, drug use and social deviance that are part of the pulsing dynamics of this collective. Her ethnographic study compares the Philadelphia rave scene with other rave scenes in London and Ibiza. She chronicles how generational change, commercialization, law enforcement, hedonism, and genre fragmentation fundamentally altered electronic dance music parties. Her analysis calls attention to issues of personal and collective identity in helping to explain such social change and what the decline of the rave scene means for the future of youth culture and electronic dance music. <BR> <h2>Excerpt</h2><P>Excerpt available at <a href="http://www.temple.edu/tempress">www.temple.edu/tempress</a></p> <BR> <h2>Reviews</h2> <p><I>"Anderson digs deep into the rave scene and provides us all with a meticulous dissection. Hers is an examination of the Philadelphia rave scene's rise into an industry and then its observational decline from its raw roots as electronic music became more than a fad. These basic principles can be seen in various other U.S. cities and can only help provide insight into what the future may bring."</I><br>&#151<b>Chris Fortier</b>, DJ and producer <p><I>"Anderson’s fascinating and original account of electronic dance music in the post-rave era takes up the question of what happens to cultural scenes in their moments of decline and transition. </i>Rave Culture<i> explores all sides of the Philadelphia electronic music scene and then moves to London and Ibiza to capture a shifting terrain in all its global complexity. Conceptually rich and packed with ethnographic detail, this is a solid contribution to the study of music, subcultures, and urban leisure."</I> <br>&#151<b>Will Straw</b>, Professor of Communications, McGill University <p><I>"Dancing is a most important aspect of many young people's lives because it ritually celebrates, reinforces, and negotiates both individual and collective identities, including those held by the researcher. Expanding on her keen interest in, and commitment to, scrutinizing the transformation of local music scenes in Philadelphia and elsewhere, Tammy Anderson has written an autoethnography that is both provocative and academically sound. In a close-to-the-ground dissection and analysis, she not only argues against simple binaries such as ‘authenticity’ versus ‘commercialism’ and ‘underground’ versus ‘mainstream’ but also correctly identifies rave as a transnational phenomenon of local and global relevance. As a result, this book is an important addition to the growing literature on youth culture, culture change, and the role of social dance in popular music."</I><br>&#151<b>Kai Fikentscher</b>, author of <i>"You Better Work!" Underground Dance Music in New York City</i> <p><i>"</i>Rave Culture<i> goes forward through the klatch of promotional hustlers, floppy hat-wearing hangers-on and artistic and cultural icons of that scene; runs from Philly, London, Ibiza and back; takes in the oft-discussed immensity and hedonistic éclat of acid house, etc., abroad…and figures out that some kids lose their personal identity to a somewhat more collective identity."</i> <br>&#151<b><i>The Philadelphia City Paper</i></b> <p><i>"[E]ntertaining...Anderson conducts field work in the course of her investigation. This means that Anderson, a self-professed fan of the EDM scene, gets to party at big music events in Philadelphia and elsewhere. But even as she’s dancing, Anderson is watching, assessing, quantifying, and putting things together....Anderson makes the subject feel applicable to last night’s all-night party." /i> <br>&#151<b><i>Edge </i></b> <BR> <h2>Contents</h2><P> Acknowledgments <br>1. Introduction <br>2. Corporate Raves, Weeklies, Underground Parties, and More: <i>Defining the Rave– Club Culture Continuum</i> <br>3. Loyalists, Spillovers, and Other Party People: <i>Personal and Collective Identities in the Post-rave Era</i> <br>4. From 1990s Massives to Raves’ Death?: <i>Forces of Cultural Change</i> <br>5. “Players and Their Tracks”: <i>Types of Cultural Work in the EDM Scene</i> <br>6. EDM as a Vibrant Global Scene <br>7. Twenty- First- Century Scenes, Sounds, and Selves <br>Appendix: Methods <br>Notes <br>References <br>Index </P><BR> <H2>About the Author(s)</H2> <table><tr><td valign="top"><img src="/tempress/authors/2002_au1.gif" height="90" width="75"></td><td width="100%" valign="middle"><p><b>Tammy L. Anderson</b> is Associate Professor in the Department of Sociology and Criminal Justice at the University of Delaware. She is the editor of<i> Neither Villain, Nor Victim: Empowerment and Agency Among Women Substance Abusers</i>. For more information about her work, visit www.udel.edu/soc/tammya.</P></td></tr></table> <BR><H2>Subject Categories</H2> <p><A HREF="/tempress/cultural.html" TARGET="_top">Cultural Studies</a> <BR><A HREF="/tempress/sociology.html" TARGET="_top">Sociology</a> <BR><A HREF="/tempress/music.html" TARGET="_top">Music and Dance</a> </p> <p align="center"><a href="https://cdcshoppingcart.uchicago.edu/Cart/ChicagoBook.aspx?ISBN=9781592139330&&PRESS=temple" target="_top">Buy this book!</a> | <a href="https://cdcshoppingcart.uchicago.edu/Cart/Cart.aspx?PRESS=temple" target="_top">View Cart</a> | <a href="https://cdcshoppingcart.uchicago.edu/Cart/Cart.aspx?PRESS=temple" target="_top">Check Out</a></p><p><font face="Arial" size="1"><a href="copyright.html" onMouseOver="window.status='Web Copyright Policy';return true;" onMouseOut="window.status=''" title="Web Copyright Policy">©</a> 2009 <a href="http://www.temple.edu" target="new" onMouseOver="window.status='Link to Temple University home page';return true;" onMouseOut="window.status=''" title="Link to Temple University home page">Temple University</a>. 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